What do you get when you cross a tennis player with an artist? A blacksmith. Throw in a lifetime gardener and that blacksmith works in an organic style with a nature theme. The first time I struck iron, I was smitten. There is something wonderfully indescribable about the energy exchange that takes place while blacksmithing. The heat from the fire and the force of the hammer’s blow feed and energize me.

My primary material is mild steel. I particularly enjoy using gas pipe. This hollow material gives an impression of mass without the actual weight and provides an additional surface (the interior) with its own potential to be worked. It is a form that requires a gentle and patient hammer blow, so it doesn’t collapse.

The versatility of mild steel allows it to take the bold shapes usually associated with ironwork, as well as the soft, feminine lines for which I strive. My work often contains botanical references, and I can create images that evoke continuing growth. Each heat of the metal offers an opportunity to explore. The results can be unexpected, opening up an entirely new path leading to the spontaneity evident in many of my creations.

Then there is the fascination of forge welding. I am amazed every time I successfully perform this weld, in which two or more pieces are heated to 2600 degrees, carefully introduced to each other and firmly hammered into a single unit. Vigilance and focus are required; uncertainty and excitement are part of the process. I try to incorporate at least one forge weld in every piece I design.

Lately, I have been exploring a realm of fantasy, creating a family I call “The Pods”. The name describes their resemblance to seed pods. As they developed, they started projecting personalities, thus demanding names. Their whimsical nature truly represents the joy I derive blacksmithing. And they are all encompassing being animal (their persona), mineral (steel) and vegetable (seed pods). Their only purpose in life is to bring a smile to your face.

My creations represent original designs and personal interpretations of traditional forms and techniques. Many of their elements reflect shapes visible in the wooded areas that surround our home. I commission a glass blower to make the shades for my lamps. My husband assists me when a second pair of hands is needed.